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The Birth of the POD An Interview with Marcus Ryle, Line 6 Co-Founder and Senior V.P., R&D Where did the original concept for the POD come from? Did you forsee digital modeling becoming as big as it has? For those of us with real lives and responsibilities, with budgets and one spare closet, the POD has become an indispensable tool. Or you’ve somehow managed to get yourself in a situation where there’s not even a JCM 800 to be found. We could suddenly have our cake and eat it, too-and oh, how sweet freedom tasted.Īnd while, yes, if you found yourself in an acoustically brilliant recording space with Bob Rock at your side and a locker of top-shelf mics at your disposal, you might be able to get a better amp sound to tape, but how many of us have found ourselves in that position? More likely, you’ve found yourself stuck in your basement studio late at night, trying to pull together a track without firing up that Marshall JCM 800 and waking the kids. We could ditch the practice amp and still have a fully-featured pedalboard without the cables and power supplies. No longer were guitarists forced to spend large sums of money on amplifiers, just to have options in the studio and on tour (we still do as a matter of principal, of course, but the point is that we aren’t forced to) no longer did we need to charter storage space to house our precious investments or risk blowing up 50-year-old capacitors in vintage amps, just to get a few bars to tape. For a group of people raised on tubes, it was as if we had finally caught up.Īlthough the POD has undergone a serious evolution over its ten years, the very first version began a long-overdue liberation. Perhaps those are big words, but there’s no denying that the POD was one of the first devices to truly harness the potential of digital technology for tone seekers-suddenly “digital” wasn’t such a bad word. Features include presets, expression control, amp modeling, preloaded beats, onboard tuner, and a 60-second looper.Ten years ago, Line 6 unleashed the POD on unsuspecting guitarists around the country and instigated a revolution of sorts. What multi-effects have a drum machine and looper?īedroom players and solo musicians who want a single solution should look at the Zoom G series.
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Pedals like the Zoom Multistomp and Eventide H9 are small enough to fit on even mini boards, and the Line 6 Helix family offers the HX Stomp and HX Effects, which both integrate perfectly into any pedalboard. However, there's no reason you have to choose. Using a variety of stompboxes can allow for complete customization of your sound.
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LINE 6 POD FARM 2 ROCK GUITAR SOUND SOFTWARE
Easy access to presets and quick tone changes are also possible with most multi-effects, many of which are programmable with software or mobile apps. Unlike the refrigerator-sized racks of the '80s and '90s, portability is one advantage to using a multi-effect unit. What is the advantage of a multi-effects pedal versus individual pedals? Today, DSP (digital signal processing) and tiny powerful chips allow compact pedals to contain dozens of sounds worthy of stage and studio, and more complex units can also model amps and add bonus features like loopers and tuners. These thoughtfully designed rigs were in some ways, the first multi-effects, allowing a guitarist to completely change their sound with a click.Īs presets and MIDI integration became more common, units that provided more than one effect became more intriguing, although the consumer-level options didn’t always offer sound or hardware quality. In the late '70s and early '80s guitarists and other musicians, sometimes with the help of engineers, were looking for practical ways to control their growing pedalboards and integrate studio rack units, such as those made by Eventide, into their live performances. Multi-Effects Pedals & Processors For Sale on Reverb